Cuba
I Am Cuba at TIFF
Tuesday, February 3, 2026
6:30 p.m. TIFF Cinema 3
Cuba, Russia | 1964 | 141m | Spanish, English, Russian
Rare screening of the 35mm print of I AM CUBA / SOY CUBA, the 1964 film by director Mikhail Kalatozov.
Recorded introduction by Dennis Doros, co-founder of Milestone Films. Introduction by TIFF CEO Cameron Bailey, who also led a post-screening audience discussion.
Harry Tanner was an Assistant Director on the film.
Learn more about Soy Cuba.
Queen’s University Archives
In June 2022, Queen’s University acquired the archives of Cuban-Canadian artist Harry Tanner.
In October 2022, Queen’s University Archives hosted its
40th Annual Archives Lecture on Harry Tanner.
Watch the video of the Queen's Archives Lecture below:
An Artistic Chronicle of Havana in the 1960s:
Cuban-Canadian Harry Tanner
by Dr. Karen Dubinsky
Thursday, October 20, 2022 at 4 p.m.
Room 014, Joseph S. Stauffer Library
Queen’s University, Kingston, Ontario
Learn more:
Read a short book about Harry:
Royal Palms and Jack Pines
Explore Harry’s handbook for artists:
Harry’s life and work in Cuba:
Books about Cuba:
Strangely, Friends A History of
Cuban-Canadian Encounters
book by Dr. Karen Dubinsky
Cover art by Harry Tanner
Strangely, Friends: A History of Cuban-Canadian Encounters delves into the rich, often overlooked history of personal and cultural connections between Cubans and Canadians. From the early days of the Cuban Revolution to the present, this book uncovers the stories of Canadians who were drawn to Cuba—teachers, artists, development aid workers, filmmakers, and activists—who left an indelible mark on the island, and Cubans, especially the musicians, who found a home in Canada.
Cuba beyond the beach
Stories of Life in Havana
Havana is Cuba’s soul: a mix of Third World, First World, and Other World. After over a decade of visits as a teacher, researcher, and friend, Karen Dubinsky looks past political slogans and tourist postcards to the streets, neighbourhoods, and personalities of a complicated and contradictory city. Her affectionate, humorous vignettes illustrate how Havana’s residents—old Communist ladies, their sceptical offspring, musicians, underground vendors, entrepreneurial landlords, and poverty-stricken professors—go about their daily lives.